The Story
American soprano (1818-1891), who debuted at the Paris Opera in 1836.
Collection of three autograph letters in French (untranslated) signed by her, dated around 1840, as follows:
A. To the composer Giovanni Bazzoni (1816-1871): “…Je suis désolée de vous manquer encore de parole je vais passer la journée dans un chateau…”. 1 p. In-8.
B. To Monsieur Leduc: “…Pouvez vous me donner pour moi même une fauteuil de la galerie de côté si c’est possible…”. 1 p. In-16.
C. To the director of Opera de Paris Léon Pillet (1803-1868): “…je vous prie Monsieur de vouloir bien m’excuser. Je viens toujour vous ennuyer pour vous démander deux places sur le théâtre…”. 1 p. In-8.
Different sizes, lengths, and conditions (see scans provided for a detailed view).
SOLD ONLY AS A LOT, NOT SOLD SEPARATELY.
Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
American soprano (1818-1891), who debuted at the Paris Opera in 1836.
Collection of three autograph letters in French (untranslated) signed by her, dated around 1840, as follows:
A. To the composer Giovanni Bazzoni (1816-1871): “…Je suis désolée de vous manquer encore de parole je vais passer la journée dans un chateau…”. 1 p. In-8.
B. To Monsieur Leduc: “…Pouvez vous me donner pour moi même une fauteuil de la galerie de côté si c’est possible…”. 1 p. In-16.
C. To the director of Opera de Paris Léon Pillet (1803-1868): “…je vous prie Monsieur de vouloir bien m’excuser. Je viens toujour vous ennuyer pour vous démander deux places sur le théâtre…”. 1 p. In-8.
Different sizes, lengths, and conditions (see scans provided for a detailed view).
SOLD ONLY AS A LOT, NOT SOLD SEPARATELY.
